hour 8 (the last): a celebratory cocktail, then exit. refreshed?

October 7, 2015 § 2 Comments

#D-26-LOW#D-24+25+26-LOW#D-27-LOW
#D-25+26+27-LOW

hour 7: failing beautifully, our superhero takes a trippy dip.

October 5, 2015 § Leave a comment

#d-22-LOW#D-20+21+22-LOW#D-23-LOW#D-21+22+23-LOW#D-24-LOW#D-22+23+24-LOW#D-25-LOW
#D-23+24+25-LOW

hour 6: my dream inbox holds an emailed butterfly?

October 1, 2015 § Leave a comment

#D-17-LOW#D-15+16+17-LOW#D-18-LOW#D-16+17+18-LOW#D-19-LOW#D-17+18+19-LOW#D-20-LOW#D-18+19+20-LOW#D-21-LOW#D-19+20+21-LOW

hour 5: the jazz-bird aftermath.

September 29, 2015 § 2 Comments

#D-12-LOW#D-10+11+12-LOW#D-13-LOW#D-11+12+13-LOW#D-14-LOW#D-12+13+14-LOW#D-15-LOW#D-13+14+15-LOW#D-16-LOW#D-14+15+16-LOW

hour 4: if you see a hole, take it.

September 26, 2015 § Leave a comment

#D-08-LOW#D-06+07+08-LOW#D-09-LOW#D-07+08+09-LOW#D-10-LOW#D-08+09+10-LOW#D-11-LOW#D-09+10+11-LOW

hour 3: wait, space smells pretty?

September 24, 2015 § Leave a comment

#D-05-LOW#D-03+04+05-LOW#D-06-LOW
#D-04+05+06-LOW
#D-07-LOW#D-05+06+07-LOW

hour 2: to spit, to drip, to fly.

September 23, 2015 § 2 Comments

#D-03-LOW#D-02+03-LOW#D-04-LOW

#D-02+03+04-LOW

hour 1: rejected by chronicle, accepted by the internet, viewed by the universe.

September 22, 2015 § Leave a comment

You ever have those dreams where one thing leads to another and there seems to be no logical connection? The settings, characters and situations wander. Juxtapositions are random and dramatic. Tangents upon tangents are taken and nothing makes sense. Physics, reality, memory, experience, and time are not working the way they’re supposed to. Even colors…. am I color blind?

Oh, gravity!

Everything feels serious and funny! And then, without reason, you wake up….
A li t t l e  w  o  b   b    l      y       .

An exquisite corpse.
01-book in box 07-open spread 06-colored spreads 05-spreads-multiple
04-spread 2 03-spread 1 02-book out of box#D-02-LOW

my dreams come in a box, unfold, have two sides, and colors on the back.

January 5, 2011 § 5 Comments

 

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